When I started this blog, my intent was to write a little something everyday… so much for those plans! But isn’t this so true of everything these days? Life just gets in the way. Or does it? Are we really doing what we want to do? I guess this is the big philosophical question. There are a lot of blogs out there. I guess I thought that if I kind of put my journal entries online that it would spur me to write more. I’ve kept diaries on and off over the years – but since I’ve had kids it’s mostly been off. I’d start… and then pick it up months later and forget what the heck I was talking about way back when! So, here we are. New Year’s Resolutions time. Mine is to write in this blog once a week. I think I can do that. What are your resolutions? Let’s talk about it. Post to the discussion board and we’ll share! ]]>

PERFORMANCE BY AN ACTOR IN A LEADING ROLE
Christian Bale in “American Hustle” (Sony Pictures Releasing)
Bruce Dern in “Nebraska” (Paramount)
Leonardo DiCaprio in “The Wolf of Wall Street” (Paramount)
Chiwetel Ejiofor in “12 Years a Slave” (Fox Searchlight)
Matthew McConaughey in “Dallas Buyers Club” (Focus Features)

PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE
Barkhad Abdi in “Captain Phillips” (Sony Pictures Releasing)
Bradley Cooper in “American Hustle” (Sony Pictures Releasing)
Michael Fassbender in “12 Years a Slave” (Fox Searchlight)
Jonah Hill in “The Wolf of Wall Street” (Paramount)
Jared Leto in “Dallas Buyers Club” (Focus Features)

PERFORMANCE BY AN ACTRESS IN A LEADING ROLE
Amy Adams in “American Hustle” (Sony Pictures Releasing)
Cate Blanchett in “Blue Jasmine” (Sony Pictures Classics)
Sandra Bullock in “Gravity” (Warner Bros.)
Judi Dench in “Philomena” (The Weinstein Company)
Meryl Streep in “August: Osage County” (The Weinstein Company)

PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE
Sally Hawkins in “Blue Jasmine” (Sony Pictures Classics)
Jennifer Lawrence in “American Hustle” (Sony Pictures Releasing)
Lupita Nyong’o in “12 Years a Slave” (Fox Searchlight)
Julia Roberts in “August: Osage County” (The Weinstein Company)
June Squibb in “Nebraska” (Paramount)

BEST ANIMATED FEATURE FILM OF THE YEAR
“The Croods” (20th Century Fox)
Chris Sanders, Kirk DeMicco and Kristine Belson
“Despicable Me 2” (Universal)
Chris Renaud, Pierre Coffin and Chris Meledandri
“Ernest & Celestine” (GKIDS)
Benjamin Renner and Didier Brunner
“Frozen” (Walt Disney)
Chris Buck, Jennifer Lee and Peter Del Vecho
“The Wind Rises” (Walt Disney)
Hayao Miyazaki and Toshio Suzuki

ACHIEVEMENT IN CINEMATOGRAPHY
“The Grandmaster” (The Weinstein Company) Philippe Le Sourd
“Gravity” (Warner Bros.) Emmanuel Lubezki
“Inside Llewyn Davis” (CBS Films) Bruno Delbonnel
“Nebraska” (Paramount) Phedon Papamichael
“Prisoners” (Warner Bros.) Roger A. Deakins

ACHIEVEMENT IN COSTUME DESIGN
“American Hustle” (Sony Pictures Releasing) Michael Wilkinson
“The Grandmaster” (The Weinstein Company) William Chang Suk Ping
“The Great Gatsby” (Warner Bros.) Catherine Martin
“The Invisible Woman” (Sony Pictures Classics) Michael O’Connor
“12 Years a Slave” (Fox Searchlight) Patricia Norris

ACHIEVEMENT IN DIRECTING
“American Hustle” (Sony Pictures Releasing) David O. Russell
“Gravity” (Warner Bros.) Alfonso Cuar�n
“Nebraska” (Paramount) Alexander Payne
“12 Years a Slave” (Fox Searchlight) Steve McQueen
“The Wolf of Wall Street” (Paramount) Martin Scorsese

BEST DOCUMENTARY FEATURE
“The Act of Killing” (Drafthouse Films)
A Final Cut for Real Production
Joshua Oppenheimer and Signe Byrge S�rensen
“Cutie and the Boxer” (RADiUS-TWC)
An Ex Lion Tamer and Cine Mosaic Production
Zachary Heinzerling and Lydia Dean Pilcher
“Dirty Wars” (IFC Films)
A Civic Bakery Production
Richard Rowley and Jeremy Scahill
“The Square” (Netflix in association with Worldview
Entertainment and Participant Media)
A Noujaim Films and Maktube Production
Jehane Noujaim and Karim Amer
“20 Feet from Stardom” (RADiUS-TWC)
A Gil Friesen Productions and Tremolo Production
Nominees to be determined

BEST DOCUMENTARY SHORT SUBJECT
“CaveDigger”
A Karoffilms Production
Jeffrey Karoff
“Facing Fear”
A Jason Cohen Production
Jason Cohen
“Karama Has No Walls” (Mudhouse Films)
A Hot Spot Films Production
Sara Ishaq
“The Lady in Number 6: Music Saved My Life”
A Reed Entertainment Production
Malcolm Clarke and Nicholas Reed
“Prison Terminal: The Last Days of Private Jack Hall”
A Prison Terminal LLC Production
Edgar Barens

ACHIEVEMENT IN FILM EDITING
“American Hustle” (Sony Pictures Releasing) Jay Cassidy, Crispin Struthers and Alan Baumgarten
“Captain Phillips” (Sony Pictures Releasing) Christopher Rouse
“Dallas Buyers Club” (Focus Features) John Mac McMurphy and Martin Pensa
“Gravity” (Warner Bros.) Alfonso Cuar�n and Mark Sanger
“12 Years a Slave” (Fox Searchlight) Joe Walker

BEST FOREIGN LANGUAGE FILM OF THE YEAR
“The Broken Circle Breakdown” (Tribeca Film) – Belgium
A Menuet Production
“The Great Beauty” (Janus Films) – Italy
An Indigo Film Production
“The Hunt” (Magnolia Pictures) – Denmark
A Zentropa Entertainments 19 Production
“The Missing Picture” (Strand Releasing) – Cambodia
A Bophana Production
“Omar” (Adopt Films) – Palestine
An Omar Production Company Production

ACHIEVEMENT IN MAKEUP AND HAIRSTYLING
“Dallas Buyers Club” (Focus Features) Adruitha Lee and Robin Mathews
“Jackass Presents: Bad Grandpa” (Paramount) Stephen Prouty
“The Lone Ranger” (Walt Disney) Joel Harlow and Gloria Pasqua-Casny

ACHIEVEMENT IN MUSIC WRITTEN FOR MOTION PICTURES (ORIGINAL SCORE)
“The Book Thief” (20th Century Fox) John Williams
“Gravity” (Warner Bros.) Steven Price
“Her” (Warner Bros.) William Butler and Owen Pallett
“Philomena” (The Weinstein Company) Alexandre Desplat
“Saving Mr. Banks” (Walt Disney) Thomas Newman

ACHIEVEMENT IN MUSIC WRITTEN FOR MOTION PICTURES (ORIGINAL SONG)
“Alone Yet Not Alone” from “Alone Yet Not Alone” (Enthuse Entertainment)
Music by Bruce Broughton
Lyric by Dennis Spiegel
“Happy” from “Despicable Me 2” (Universal)
Music and Lyric by Pharrell Williams
“Let It Go” from “Frozen” (Walt Disney)
Music and Lyric by Kristen Anderson-Lopez and Robert Lopez
“The Moon Song” from “Her” (Warner Bros.)
Music by Karen O
Lyric by Karen O and Spike Jonze
“Ordinary Love” from “Mandela: Long Walk to Freedom” (The Weinstein Company)
Music by Paul Hewson, Dave Evans, Adam Clayton and Larry Mullen
Lyric by Paul Hewson

BEST MOTION PICTURE OF THE YEAR
“American Hustle” (Sony Pictures Releasing)
A Columbia Pictures and Annapurna Pictures Production
Charles Roven, Richard Suckle, Megan Ellison and Jonathan Gordon, Producers
“Captain Phillips” (Sony Pictures Releasing)
A Columbia Pictures Production
Scott Rudin, Dana Brunetti and Michael De Luca, Producers
“Dallas Buyers Club” (Focus Features)
A Voltage Pictures, R2 Films, Evolution Independent Production
Robbie Brenner and Rachel Winter, Producers
“Gravity” (Warner Bros.)
A Warner Bros. UK Services Limited Production
Alfonso Cuar�n and David Heyman, Producers
“Her” (Warner Bros.)
An Annapurna Production
Megan Ellison, Spike Jonze and Vincent Landay, Producers
“Nebraska” (Paramount)
A Paramount Vantage Production
Albert Berger and Ron Yerxa, Producers
“Philomena” (The Weinstein Company)
A Path�, BBC Films, BFI, Canal+, Cine+ and Baby Cow/Magnolia Mae Production
Gabrielle Tana, Steve Coogan and Tracey Seaward, Producers
“12 Years a Slave” (Fox Searchlight)
A River Road, Plan B, New Regency Production
Brad Pitt, Dede Gardner, Jeremy Kleiner, Steve McQueen and Anthony Katagas, Producers
“The Wolf of Wall Street” (Paramount)
A Red Granite Production
Nominees to be determined

ACHIEVEMENT IN PRODUCTION DESIGN
“American Hustle” (Sony Pictures Releasing) Production Design: Judy Becker; Set Decoration: Heather Loeffler
“Gravity” (Warner Bros.) Production Design: Andy Nicholson; Set Decoration: Rosie Goodwin and Joanne Woollard
“The Great Gatsby” (Warner Bros.) Production Design: Catherine Martin; Costume Design: Beverley Dunn
“Her” (Warner Bros.) Production Design: K.K. Barrett; Set Decoration: Gene Serdena
“12 Years a Slave” (Fox Searchlight) Production Design: Adam Stockhausen; Set Decoration: Alice Baker

BEST ANIMATED SHORT FILM
“Feral”
A Daniel Sousa Production
Daniel Sousa and Dan Golden
“Get a Horse!” (Walt Disney)
A Walt Disney Animation Production
Lauren MacMullan and Dorothy McKim
“Mr. Hublot”
A Zeilt Production
Laurent Witz and Alexandre Espigares
“Possessions”
A Sunrise Production
Shuhei Morita
“Room on the Broom”
A Magic Light Pictures Production
Max Lang and Jan Lachauer

BEST LIVE ACTION SHORT FILM
“Aquel No Era Yo (That Wasn’t Me)” (FREAK Independent Film Agency)
A Producciones Africanauan Production
Esteban Crespo
“Avant Que De Tout Perdre (Just before Losing Everything)”
A KG Production
Xavier Legrand and Alexandre Gavras
“Helium”
An M & M Production
Anders Walter and Kim Magnusson
“Pit��k� Mun Kaikki Hoitaa? (Do I Have to Take Care of Everything?)”
A Tuffi Films Production
Selma Vilhunen and Kirsikka Saari
“The Voorman Problem”
A Honlodge Production
Mark Gill and Baldwin Li

ACHIEVEMENT IN SOUND EDITING
“All Is Lost” (Lionsgate & Roadside Attractions) Steve Boeddeker and Richard Hymns
“Captain Phillips” (Sony Pictures Releasing) Oliver Tarney
“Gravity” (Warner Bros.) Glenn Freemantle
“The Hobbit: The Desolation of Smaug” (Warner Bros.) Brent Burge
“Lone Survivor” (Universal) Wylie Stateman

ACHIEVEMENT IN SOUND MIXING
“Captain Phillips” (Sony Pictures Releasing) Chris Burdon, Mark Taylor, Mike Prestwood Smith
“Gravity” (Warner Bros.) Skip Lievsay, Niv Adiri, Christopher Benstead and
“The Hobbit: The Desolation of Smaug” (Warner Bros.) Christopher Boyes, Michael Hedges,
“Inside Llewyn Davis” (CBS Films) Skip Lievsay, Greg Orloff and Peter F. Kurland
“Lone Survivor” (Universal) Andy Koyama, Beau Borders and David Brownlow

ACHIEVEMENT IN VISUAL EFFECTS
“Gravity” (Warner Bros.) Tim Webber, Chris Lawrence, Dave Shirk and Neil Corbould
“The Hobbit: The Desolation of Smaug” (Warner Bros.) Joe Letteri, Eric Saindon, David Clayton and Eric Reynolds
“Iron Man 3” (Walt Disney) Christopher Townsend, Guy Williams, Erik Nash and Dan Sudick
“The Lone Ranger” (Walt Disney) Tim Alexander, Gary Brozenich, Edson Williams and John Frazier
“Star Trek Into Darkness” (Paramount) Roger Guyett, Patrick Tubach, Ben Grossmann and Burt Dalton

ADAPTED SCREENPLAY
“Before Midnight” (Sony Pictures Classics) Written by Richard Linklater, Julie Delpy, Ethan Hawke
“Captain Phillips” (Sony Pictures Releasing) Screenplay by Billy Ray
“Philomena” (The Weinstein Company) Screenplay by Steve Coogan and Jeff Pope
“12 Years a Slave” (Fox Searchlight) Screenplay by John Ridley
“The Wolf of Wall Street” (Paramount) Screenplay by Terence Winter

ORIGINAL SCREENPLAY
“American Hustle” (Sony Pictures Releasing) Written by Eric Warren Singer and David O. Russell
“Blue Jasmine” (Sony Pictures Classics) Written by Woody Allen
“Dallas Buyers Club” (Focus Features) Written by Craig Borten & Melisa Wallack
“Her” (Warner Bros.) Written by Spike Jonze
“Nebraska” (Paramount) Written by Bob Nelson

We all know negativity; it looms large and is easy to spot. Negativity pervades your self-talk and your judgments. It bleeds into exchanges with your kids and your colleagues, eroding goodwill. Making matters worse, negativity breeds health-damaging negative emotions – like anger, contempt, and depression – which seep into your entire body. You can feel the simmering bitterness eating away at your stomach, raising your blood pressure, and turning your shoulder and neck muscles to stone.

But what about positivity?
Can it transform our lives?
And what is positivity, anyway?

For more than twenty years, Dr. Barbara Fredrickson has researched these questions. What she discovered and teaches has made her a luminary in psychology and beyond. Now, in Positivity, she shares how experiencing positive emotions in a 3-to-1 ratio to negative emotions leads people to achieve what they once could only imagine. Far from frivolous, tapping into one’s own unique sources of positivity is a wise and healthy investment in the future.

In Positivity, Dr. Fredrickson reveals how the stunning new scientific discoveries about this powerful – though undervalued – state of mind can enhance your relationships, improve your health, relieve depression, and broaden your mind.

Experience positivity for yourself and make a lasting difference in the way you live.

Take the online quiz to see where your ratio is at today HERE. 

Here’s the real story behind the fabulous Cosmopolitan cocktail, just in time for the release of Sex & the City 2.  
 
The story begins and ends with master mixologist, Dale “King Cocktail” DeGroff.   While Carrie, Charlotte, Samantha and Miranda are often credited with bringing the Cosmopolitan cocktail to widespread popularity and acclaim, the story behind the cocktail actually pre-dates the fab SATC four.  The real story begins in 1992 at an exclusive after-party for the Grammy’s, held at the Rainbow Room where Dale was tending bar.  That evening, all eyes were on Madonna as she and her entourage settled in the VIP Lounge.  The provocative songstress requested something chic and delicious, and DeGroff whipped up a batch of Cosmopolitans.
 
He served the pink libation to the original Material Girl, Madonna, and the AP image circulated around the globe.  The Cosmo became an overnight sensation!  It was one of the first cocktails to gain international notoriety, and was a catalyst for the cocktail-craft and mixology explosion that would later grip the U.S. and the world!
 
To celebrate the release of Sex & the City 2, Dale has revived his classic drink creating a modern twist on the Cosmo for the more grown up ladies. Cosmopolitan Dreams adds a sophisticated touch of champagne, bringing the Cosmo back and ready to take on the new millennium.
 
The Cosmopolitan Dreams (created by Dale DeGroff)

3/4 ounce Citrus Vodka
3/4 ounce Cointreau
3/4 ounce Cranberry juice
1/4 ounce Fresh lime juice
2 1/2 ounces Piper Heidsieck Champagne
 
Assemble the vodka, Cointreau, and juices in a boston shaker with ice and shake well to chill.
 
Strain into a champagne glass and fill with champagne. Garnish with a flamed orange peel.
 
 
The Original Cosmopolitan (created by Dale DeGroff)
 
1 1/2 oz vodka
1 oz Cointreau
1 oz cranberry juice
3/4 oz lime juice
 
Shake and strain into a chilled martini glass.
 
Garnish with a twist of orange

Sleeping together is an important way for couples to feel connected to one another. While many partners can live happily together; they just can’t sleep well side by side. Research from the Better Sleep Council (BSC) found that on average, one in three Americans report that their partner’s sleep problems negatively impact their own quality of sleep. If your partner’s sleep style has you headed for a separate room, relationship expert Lissa Coffey and the Better Sleep Council have some tips that just might bring harmony back to the bedroom and into your relationship. 1.    Problem:  Your partner kicks in his or her sleep, waking you up.
Solution:  Make sure your bed gives each person adequate sleep surface. If you are sharing a double (full–size) mattress, that only gives each person as much room as sleeping in a crib! Couples should share a mattress no smaller than queen-size. 2.    Problem:  Your partner likes it hot, but you like it cool.
Solution:  Temperature is a major issue in many relationships. Ideally, your bedroom should be a cool 60–65 degrees Fahrenheit. But a few simple adjustments can make it possible for a person who craves heat and a person who craves cool to sleep side by side comfortably.
�    Double fold the blankets so there is more coverage on one side.
�    Invest in a dual-control electric blanket or a twin-size electric blanket for one side. 3.    Problem:  Your partner snores, keeping you up at night.
Solution:  Snoring can be a serious health concern, so make sure to consult your physician. If your partner’s snoring is not a serious health condition, try alternative treatments like investing in anti-snore pillows, sprays or nasal strips that are designed to help people breathe more easily. If your partner’s snoring persists, try foam earplugs before you try a different room. 4.    Problem:  Your partner tosses and turns.
Solution:  It may be your mattress. If your mattress is uncomfortable, it can lead to restless sleep. Mattresses should be evaluated every five to seven years for comfort and support. 5.    Problem:  Your partner loves to cuddle, but you like your space while you sleep.
Solution:  Compromise. Before falling asleep spend some time snuggling together and then agree to sleep apart.  6.    Problem:  Your sleep schedules don’t match.
Solution:  Try finding a bedtime that works for both of you. If your partner turns in early and you’re a night owl, try reading a book with a personal book lamp until you’re ready to nod off. If you’re an early riser compared to your sleep partner, be considerate in the early morning. Keep overhead lights off and use minimal lighting while your partner is sleeping. 7.    Problem:  Your bedroom feels more like an office than a place to sleep.
Solution:  Your bedroom should only be used for sleep and sex. Keep work, laptops, PDAs and televisions out of the bedroom. This creates a much more relaxing and romantic atmosphere, and will give you both a better night’s sleep. BetterSleep.org

Baby bunnies, baby birds, baby squirrels, all the little signs of spring are turning up right in our backyard.  I love Easter!  Even as a little girl I knew there was something special about this holiday, and this time of year.  I remember one year I was “Rabbit” in our elementary school production of Winnie-the-Pooh.  My grandmother made me a costume out of an old white tablecloth – it was so cute… and then I’d wear that costume every Easter, and hide eggs for the littler kids next door. For years I’ve done the annual family Easter Brunch at our house.  I started this tradition before Freddy was born.  And then when he came along, the day took on more meaning as an egg hunt was included in the festivities.  It seemed like each year there was another cousin added to the mix – each year there were more kids, and more eggs!  I have such happy memories of a backyard full of little kids scrambling for plastic eggs, baskets in hand, squealing with delight at each new discovery.  There was the year that it was particularly hot, and the chocolate eggs melted inside the plastic ones.  After that I filled the eggs with pennies, or jelly beans.  Then there was the year our new puppy found more eggs than the kids did.  When the kids started getting too big for egg hunts, I even stretched it out by inviting my friend to come and bring her little boys! This year, all of the kids are teenagers.  They’d rather receive gas cards than chocolate eggs.  But I’m still having Easter Brunch.  We’ll eat strawberries and waffles, and just enjoy having the kids all together in one place for awhile.  There have been so many changes over the years as they’ve grown.  And Easter keeps coming around, a marker of how some things stay the same.