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31 Dec

Surviving Suicide

This week is National Suicide Prevention Week.  It is heartbreaking to think that suicide is that pervasive of a problem in our society to warrant such a week.  And yet it is.  Suicide takes the lives of nearly 30,000 Americans every year.  There are twice as many deaths from suicide as there are from HIV/AIDS. It is the third leading cause of death for 15-24 year old Americans. And there are more than 800,000 attempted suicides every year.

 

Those are the statistics.

 

And then there are the stories.

 

Perhaps the worst thing about suicide is the pain that it causes to those left behind.  These people are known as the survivors. And telling our stories can help us to heal from the trauma of this experience.

 

When Gia Allemand, the reality television star, took her own life last month, the topic of suicide became a part of a national discussion.  Gia’s distraught mother spoke with Dr. Phil about her feelings, which echo that of many survivors.

 

Sometimes there are warning signs.  And then sometimes the incident seems to come from out of nowhere.  That’s how it was when I found out that my friend Ophir had died.  I remember getting a phone call from our mutual friend Curt.  He was in a state of disbelief  as he had just gotten the news.  It took a few phone calls to figure out exactly what had happened.  Ophir had committed suicide. 

 

I knew Ophir as an extremely talented and creative composer.  We worked together on several music projects.  We had a close friendship, and a great respect for each other.  Ophir helped me bring my songs to life.  When Ophir had a hernia operation, I had him stay at my home while he recovered.

 

I was aware that Ophir used drugs.  I spoke with him about it many times, offering him alternatives, and suggestions for a more healthy way of life.  But he did not want to hear it.  He did not want to talk about it.  He always functioned perfectly well when we were working, and he assured me that he did not have a problem.  When I heard that Ophir had died, I assumed it was an accidental overdose.  But there was no accident about Ophir’s death.  He planned it.  He put a rifle in his mouth and shot himself.

Like most people do in this situation, I started asking myself all kinds of questions.  What could I have done to prevent this?  Why didn’t I see this was coming?  What was so terrible that he had to do this?  I felt awful, not only for myself, but for his family, everyone who loved him.  Suicide is such a violent act.  It is terribly hurtful to everyone left behind with so many unanswerable questions.  I don’t know what brought Ophir to his decision.  I do know and recognize that although our relationship has changed, he is still very much a part of my life.  I have the songs we wrote together on my websites.  He taught me so much about music and the creative process.  When certain songs come on the radio I am reminded of him, and his amazing energy, sweet smile, and sly sense of humor.  His words still influence me.  His music still moves me.

 

I know that the agreement that Ophir and I had was complete even before his death.  There was no unfinished business between us.  We learned from each other, both creatively and personally.  At his funeral I met many others who felt the same way.

 

This was the second time that I had been affected by suicide.  When I was around eleven years old, shortly after my parents’ divorce, my mother’s brother took his own life.  He was a Vietnam veteran, and he became hooked on drugs while he was in the war.  When he got home, he couldn’t handle normal life after seeing everything he saw in combat.  His drug problem got worse, he would have hallucinations, and he overdosed to escape the pain.

 

I saw how this shattered my mother and grandmother.  He also left behind a wife and baby daughter.  It was tragic.  As a child I could sense how awful this was for everyone.  And now as an adult I can see how my uncle’s life mattered.  Even in the short time he was with us, he brought joy to his mother, and love to his family.  He struggled with life, and he chose to die.  But while he was here he lived, and he had the opportunities and experiences that allowed him to learn and grow.  He may not have made the best choices, but they were his choices.  In situations like this you have to get past the blame, and the guilt, and know that there is nothing you could have done to change the outcome.  For whatever reason, this person took his own life.  It is not rational, or logical, or right.  But it is irreversible.  And we learned by going through all of this together as a family.

 

Chaim Nissel, PsyD is the Director of Yeshiva University’s Counseling Center in New York City, and an expert with the American Association of Suicidology.    He has this to say about coping with the loss of a loved one from suicide:

 

“The death of a loved one by suicide has all the trappings of conventional grief plus a host of other intense, difficult and confusing emotions.  These include feelings of guilt and responsibility, anger and blame and often a disconnect with the individual who killed himself.  When we lose a loved one to cancer or AIDS, we accept the reality, feel the loss, grieve, yet we don’t blame ourselves.  Following a suicide, it is hard to accept the reality that the individual chose death.  We feel responsible and wonder “if I had only�..” he’d be alive today.  We would rather blame ourselves because it is difficult to place the responsibility where it belongs, on the individual who killed himself.

 

One who experiences the death of a loved one to suicide is fittingly called a “survivor.”  They must now learn to cope and survive their loss.  Most survivors experience anger, guilt and emotional turmoil.  There is often anger at the deceased for taking their own life, it is seen as selfish, because their pain ends, but the survivor’s pain begins.  Guilt over what they could have and should have done to prevent it (although if the loved one wanted to die, they would have despite your interventions).  We like to think that we can control events, but when another person is in such emotional pain that they want to die, the choice to kill themselves remains their choice, despite everything that you can and did offer them.

 

There is still tremendous stigma and shame associated with suicide and when the fact that one died by suicide is hidden or denied, it becomes so much more difficult to come to terms with it.  When we try to “cover” or pretend the death was accidental, it takes its toll on the survivors and will impact them the rest of their lives.”

 

To help us find closure, Dr. Nissel has this advice:

 

-Talk about it!  Find supportive people in your life that you can share your feelings with.

-Focus on the person’s life, and the good memories you have of the person.  Know that you will never truly know why he killed himself.

-Recognize that the person’s pain is over, now it’s time to start healing your own pain.

-Have answers prepared for when people ask questions.  This will help reduce your anxiety and emotional reactions.  You can say “He took his own life” or “died by suicide” or even “he suffered a long illness.”  It someone is persistent, blaming or insensitive, you can say “it is too difficult to talk about right now” and end the conversation.

-Know that you are not responsible for your loved one’s death, in any way  Only the individual who killed himself is responsible.

-Know that the likelihood is that the person was in such pain, for so long and now the suffering is over.  90% of those that die by suicide suffered from some form of mental illness, most commonly an affective disorder such as depression or bipolar disorder.

-Seek resources such as professional counseling, support groups, and books.

-Being exposed to a suicide makes you somewhat more susceptible to suicidal thinking.  If you are having thoughts of killing yourself, get help immediately by contacting a local psychologist or psychiatrist.  If you feel you may act on these suicidal impulses, call 911 or go to your local emergency room.

 

The American Foundation for Suicide Prevention (afsp.org) helps survivors of suicide.  Actress Michelle Ray Smith, who played “Ava” on the daytime drama “Guiding Light,” talked about her father’s suicide in an interview with Soap Opera Digest magazine a few years back.  She said that participating in AFSP’s “Out of the Darkness” event, an overnight 20 mile walk, helped her connect with people who had been through the same thing.  “For the first time since he died – it’s been three years in September – I feel at peace.” 

Talking with people, sharing our stories, is one way that we can help each other to heal.

 Learn more about how you can get closure from any change in relationship in your life: ClosureBook.com

 

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31 Dec

Be Pain Free with Natural Posture

Sitting at a desk all day every day I am keenly away of how important the back is in everything you do!  I’ve found a wonderful book that gives us tool to keep the back healthy and feeling great so that it can support us in all of our activities.

Here’s an excerpt from “Natural Posture for Pain-Free Living: The Practice of Mindful Alignment” by Kathleen Porter:

DESIGN FOR LIFE

 

Who is more fit? Is it a small woman with elastic muscles and naturally aligned bones or a much larger man with six-pack abs and firmly developed pecs, deltoids, and biceps?

 

The small woman is able to carry heavy rocks on her head all day long, day after day, without strain. Because the weight of the load is distributed through aligned bones, the bones actually do the work of carrying the load. Her muscles are thus free to perform their primary job of moving the bones without strain. The musculoskeletal system functions as a dynamic interplay between bones and muscles that requires the bones to be aligned and the muscles to be elastic. This balanced interplay is the hallmark of true fitness.

 

This man is clearly strong in ways the woman is not. His power lies within his muscles alone, not in an overall integrated whole of fully functioning parts. The popular culture of fitness today is partly based on the idea that developed muscles are a requirement. Unfortunately, muscles that have been developed in this way are storehouses of contracted tension, making it difficult for them to lengthen and relax. This type of strength must be worked at continuously and is dependent on a regular maintenance routine. This man’s spine is shortened and compressed. His breathing is restricted because of a diaphragm that doesn’t move in a natural, efficient way. The range of motion of his shoulders and hips is greatly restricted. It is ironic that the strength he has worked so hard to acquire has also become a type of weakness.

 

The modern-day confusion about what constitutes authentic strength and natural, easy flexibility is at the root of most of the chronic pain experienced by millions of people every day. In the United States today, millions of people live with chronic aches and pain that severely limit their activities, affect their ability to work, cost them thousands of dollars in lost wages, and impair their enjoyment of life. Employers, insurance companies, and workers’ compensation funds pay billions of dollars each year for lost time on the job and benefits to injured employees.

 

Unnatural strength

– has its power in purposely developed muscles

– must be continuously worked at to be maintained

– limits the range of motion of the joints

– restricts elasticity of the diaphragm

– compresses the spine

 

Natural strength

– has its power in aligned bones

– is innate and reinforced in ordinary activities

– promotes natural, easy flexibility of joints

– elongates the spine

 

Whether pain is chronic and low level or severe and debilitating, it has become an enormous problem in our country. In fact, pain is so common that it has come to be considered a normal fact of life. The epidemic of chronic pain has given way to a new medical specialty–pain management–because it is assumed that, in many cases, pain is something one simply must learn to live with. Too often pain management relies on the use of prescription drugs that generate billions of dollars in profits for pharmaceutical companies, while driving a crippling addiction problem for millions of Americans.

 

The list of complaints is long and includes general unexplained lower back pain, hip and knee pain, arthritis, tendonitis, sciatica, fibromyalgia, plantar fasciitis, frozen shoulder, rotator cuff injury, herniated or bulging discs, degenerative disc disease, spinal stenosis, spondylolesthesis, temporamandibular joint disorder (TMJ), and chronic tension in neck and shoulder muscles. Much of this pain appears to be idiopathic, meaning it has no clear, discernible cause, making it difficult for doctors to know how to treat it. When asked what caused their pain, people will often say things such as “I shouldn’t have lifted that box of books” or “I’ve been running for twenty years, and my knees finally wore out” or “I’m not as young as I used to be.”

 

If any of these people knew what their bodies were actually telling them, they might respond with more accurate answers, such as “Bending to lift a box of books, my pelvis was tucked under, causing my spine to round and preventing my core from stabilizing my spine. This forced my back to strain rather than being able to rely on aligned bones working with the strength of my legs and arms to do the work.” Or, “Running for twenty years with misaligned bones has put persistent stress on my knees, causing the cartilage to wear out.” Or possibly, “This aging body is now paying the price for not living according to its natural design.”

 

It can be startling to discover that exercise in and of itself, and in spite of its obvious benefits, is seldom the solution for this kind of pain over the long run. In fact, because exercise can reinforce and embed unhelpful patterns of movement, it can, and often does, cause many people’s pain in the first place. Eventually we all pay the price if our bones have not been able to do the job of supporting us throughout the years.

 

Musculoskeletal pain is far less of a problem in some parts of the world, even in places where people do a lot of manual labor for years on end. The secret seems to be that some people never lose the biomechanical principles of the human design, something all healthy toddlers discover when first learning how to stand and walk.

 

In our popular quest for fitness and a culturally imposed standard of beauty, many of us unwittingly disregard the importance of skeletal alignment and create conditions that compromise our long-term health. A misaligned skeleton causes muscles that attach to the skeleton to either shorten or lengthen unnaturally. This creates chronic tension that restricts mobility of certain joints. It also impairs breathing, compresses vertebrae, puts pressure on and distorts the spinal cord (the primary neural pathway), and affects circulation. It would be hard to argue with the fact that all of these factors have far-reaching consequences for one’s health.

 

Bio: Kathleen Porter is the director of the Center for Natural Alignment in Portland, Oregon. She offers programs for people with posture-related pain and for children and teachers in classrooms. She has taught principles of natural alignment at the University of Hawaii at Hilo, the National College of Natural Medicine in Portland, Oregon, and the Omega Institute in Rhinebeck, New York. She lives in Portland, Oregon.

 

Availability: Usually ships within 1-2 business days

 

Price: $21.95

 

To purchase this book visit B&N.com, Amazon.com, InnerTraditions.com, or your local bookstore.

 

Natural Posture for Pain-Free Living by Kathleen Porter © 2013 Healing Arts Press. Reprinted with permission from the publisher Inner Traditions International. www.InnerTraditions.com

 

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31 Dec

Treating Autism and Asperger’s

I recently came across a wonderful book by Sophie Walker called “Grace Under Pressure.”  As a mom of a child with special needs, I could relate to her story.  I was very grateful when Sophie provided me with an excerpt from the book to share with you:


Grace, Under Pressure

A Girl with Asperger’s and Her Marathon Mom

 

As things stand, the main “treatment” comes in the form of support, and for high-functioning autism like Grace’s, that primarily means learning. There is a raft of educational techniques and assistance available. Though God knows in my part of the world it seems extraordinarily hard to access (more on this later), this was the route I had started down with Grace. I had seen examples of people with high-functioning autism who were able to adapt and learn how to socialize and overcome their communication difficulties, while re-taining their individuality and often, indeed, being prized for their particular (and many) skills.

But for many parents, among them — naturally enough — those whose children suffer from severe autism, this is not sufficient. Some who are desperate for more radical help to change and improve the lives of their children want alternative therapies.

Researching the options on offer in this universe felt like stepping into Aladdin’s cave: before me lay acres of winking treasures — endless bounty that somehow also seemed liable to leave me empty-handed if I grasped for them. Thousands upon thousands of case studies are out there, detailing the differences that can be made by everything from drugs, to diet (cutting out gluten, dairy products, caffeine, and sugar being the most common), to dolphin therapy and dogs for autism. Intensive behavioral training exists in many different forms and programs; music, light, and sound therapy is also popular. I even discovered the “Audiokinetron” — an electronic machine to exercise the entire hearing system, with the aim of improving sound sensitivity and thus reducing behavioral disturbances.

In every instance, a proponent would rave about the changes effected. Someone else would declare it bunkum.

I asked Peter Bearman if the work he was doing would result, ultimately, in a cure. Do you, I asked, foresee a treatment?

This time his answer was unequivocal.

“Yes. According to our data, about 10 percent of children with autism who start off severely impacted have incredible developmental trajectories and are off the spectrum within a decade. Something is happening to those children,” he said.

“And as soon as you can see that some kids really do change in different ways, you have to ask, ‘What are their parents doing?’

Bearman can’t do the study himself: as part of the research conditions for his other work the names and personal details of the families and children he has studied have been erased. He is following 8 million children, but he doesn’t know who they are, or what their parents did, or what services they used. But if someone else does a study and finds those children and observes what they’re doing, he says, “I’m sure that what’s accessible to 10 percent of all children can be of use to many more.”

It’s tantalizing to think that the seed of knowledge about how to cure this condition may already be out there in the population somewhere.

But when I think about a “cured” version of Grace, my mind draws a blank. I find I don’t know who that is. Where does my daughter begin and her Asperger’s end? How can she be Grace without being all that she is now?

The whole idea of somehow “fixing” autism is of course a highly controversial area and there is a growing movement among adults with autism and Asperger’s syndrome to oppose any attempts to “cure” the disorder. They emphasize instead the importance of celebrating difference.

Aspies for Freedom is one such group. An online forum founded by a group of people with Asperger’s syndrome in June 2004, it aims to bring together people with autism-spectrum conditions to further the view that Asperger’s and autism are not negative, and not always a disability.

“Part of the problem with the ‘autism as tragedy’ point of view is that it carries with it the idea that a person is somehow separable from autism, and that there is a ‘normal’ person trapped ‘behind’ the autism,” says the homepage on the group’s website. It continues:

Being autistic is something that influences every single element of who a person is — from the interests we have, the ethical systems we use, the way we view the world and the way we live our lives. As such, autism is part of who we are…

We know that autism is not a disease and we oppose any attempts to “cure” someone of an autism-spectrum condition, or any attempts to make them “normal” against their will.

 

I read this and stop dead. Is this what I have been doing? Have I been trying to make my darling girl “normal”?

There are many similar groups and thousands of proponents. There are also thousands of parents and the deeper I go into the argument on cyberspace, the louder the shouting gets. Just as I thought I was starting to get a grip on the scale of the community to which my daughter — and therefore to a certain extent I, too — now belongs, the rug is pulled out from under me again. Now I have to answer the question of just how committed we are to being part of this community or whether we’ve been trying to be something else.

I think back to the very many testimonies on treatments I read and I wonder at how hard it must be for parents of severely autistic children to support any idea that says attempts to cure are iniquitous and insulting.

And then, just like that, I find an answer for me and for Grace.

It’s a Sunday afternoon and the ham I am boiling in the kitchen has caused the windows to steam up, giving the outside world an opaque, distant appearance. Betty is asleep and Grace is at her dad’s house and I am for the time being alone, sitting at the dinner table surfing websites and turning the pages of a growing pile of books beside my computer. My head is spinning. I have tried several times to get up and walk away and allow my jumbled, gyrating thoughts to come to a stop — to let them fall where they will and leave me to pick over the pieces later. But I can’t quite do it.

And then I click on a site called Neurodiversity.com, whose stated aims are to reduce the challenges of autism and help increase education and support. On the page dealing with the question of a cure is an excerpt from a quote which makes my heart beat a bit faster. I sit up and quickly, quickly, fire up the search engine to find the rest of it.

The quote is from e.e. cummings and it feels like oxygen. It’s all the answer I need, for now.

To be nobody-but-yourself — in a world which is doing its best, night and day, to make you everybody else — means to fight the hardest battle which any human being can fight; and never stop fighting.

I determine to let Grace be herself: to cherish and delight in her and work hard to help others to understand and appreciate her. I can help her by getting her the support she needs to be happy within herself, and to take pleasure in her idiosyncrasies, without worrying about where they come from or what that means.

At least, I’ll try…

 

Sophie Walker is the author of Grace, Under Pressure: A Girl with Asperger’s and Her Marathon Mom. She lives in London. Visit her online at http://www.courage-is.blogspot.com or on Twitter @sophierunning.

 

Excerpted from the book Grace, Under Pressure: A Girl with Asperger’s and Her Marathon Mom © 2013 by Sophie Walker. Printed with permission of New World Library www.newworldlibrary.com

 

 

 

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31 Dec

AACTA Nominees

This just in from Australians in Film:

AUSTRALIAN ACADEMY OF CINEMA AND TELEVISION ARTS ANNOUNCES NOMINEES FOR
3RD AACTA INTERNATIONAL AWARDS
AMERICAN HUSTLE and 12 YEARS A SLAVE lead the way, orbited by GRAVITY, CAPTAIN PHILLIPS and BLUE JASMINE The Australian Academy of Cinema and Television Arts (AACTA) announced the names of 35 nominees in the 3rd AACTA International Awards seven categories: Best Film, Best Direction, Best Screenplay, Best Lead Actor, Best Lead Actress, Best Supporting Actor and Best Supporting Actress. Of the 15 films recognised, AMERICAN HUSTLE dominated as the only production to receive a nomination in every category, with 12 YEARS A SLAVE running a close second; receiving nominations in each Award category bar one. CAPTAIN PHILLIPS and GRAVITY each received three nominations, including both Best Film and Best Direction. BLUE JASMINE also received three nominations, with THE GREAT GATSBY, DALLAS BUYERS CLUB and AUGUST: OSAGE COUNTY accruing two nominations each. Damian Trewhella, AACTA CEO, said of the announcement, Australian performers and practitioners are consistently acknowledged as among the world’s best screen talent by international screen organisations such as AMPAS and BAFTA. It is vital that the Australian screen industry participates in this global conversation and has an opportunity to recognise the talents of both local and international peers through the Australian Academy’s International Awards. Each year our AACTA International Chapter votes to award the season’s most accomplished performers and practitioners and, as always, it’s fascinating to observe the consensus and the distinction amongst the perspectives of the Australian screen industry and that of their international counterparts, said Mr Trewhella. This year’s AACTA International Awards Best Actress nominees include awards season favourite Cate Blanchett for her much lauded performance as Jasmine in BLUE JASMINE. In the Best Supporting Actor category Geoffrey Rush has been nominated for his performance as Hans Hubermann in THE BOOK THIEF, as has Joel Edgerton for his modern portrayal of Tom Buchanan in Baz Luhrmann’s THE GREAT GATSBY. Other Australian nominees include Baz Luhrmann for Best Direction (THE GREAT GATSBY) and Sue Smith for Best Screenplay (SAVING MR. BANKS). Alongside nominated Australian talent are noted performances by Leonardo DiCaprio as Jordan Belfort in the THE WOLF OF WALL STREET and Matthew McConaughey as Ron Woodroof in DALLAS BUYERS CLUB, both nominated in the Best Lead Actor category. Judi Dench (PHILOMENA) and Sandra Bullock (GRAVITY) both received nominations in the Best Lead Actress category and Meryl Streep and Julia Roberts were both acknowledged for their work in AUGUST: OSAGE COUNTY. The AACTA International Awards are held annually in Los Angeles and recognise film excellence regardless of geography. The Awards are determined by the AACTA International Chapter, which is comprised of over 80 of Australia’s most recognised filmmakers and executives who vote across seven categories: Best Film, Best Direction, Best Screenplay, Best Lead Actor, Best Lead Actress, Best Supporting Actor, Best Supporting Actress. The winners of the 3rd AACTA International Awards will be announced at an invite only event in Los Angeles on Friday January 10th, 2014. The event will be televised on Foxtel’s Arena on Sunday January 12th, 2014 in Australia.
 
THE 3RD AACTA INTERNATIONAL AWARDS NOMINEES ARE: AACTA INTERNATIONAL AWARD FOR BEST FILM
12 YEARS A SLAVE
AMERICAN HUSTLE
CAPTAIN PHILLIPS
GRAVITY
RUSH AACTA INTERNATIONAL AWARD FOR BEST DIRECTION
12 YEARS A SLAVE  – Steve McQueen
AMERICAN HUSTLE – David O. Russell
CAPTAIN PHILLIPS – Paul Greengrass
GRAVITY – Alfonso Cuaron
THE GREAT GATSBY – Baz Luhrmann AACTA INTERNATIONAL AWARD FOR BEST SCREENPLAY
12 YEARS A SLAVE – John Ridley
AMERICAN HUSTLE – Eric Warren Singer, David O. Russell
BLUE JASMINE – Woody Allen
INSIDE LLEWYN DAVIS – Joel Coen, Ethan Coen
SAVING MR. BANKS – Kelly Marcel, Sue Smith AACTA INTERNATIONAL AWARD FOR BEST LEAD ACTOR
Christian Bale – AMERICAN HUSTLE
Leonardo DiCaprio – THE WOLF OF WALL STREET
Chiwetel Ejiofor – 12 YEARS A SLAVE
Tom Hanks – CAPTAIN PHILLIPS
Matthew McConaughey – DALLAS BUYERS CLUB AACTA INTERNATIONAL AWARD FOR BEST LEAD ACTRESS
Amy Adams – AMERICAN HUSTLE
Cate Blanchett – BLUE JASMINE
Sandra Bullock – GRAVITY
Judi Dench – PHILOMENA
Meryl Streep – AUGUST: OSAGE COUNTY AACTA INTERNATIONAL AWARD FOR BEST SUPPORTING ACTOR
Bradley Cooper – AMERICAN HUSTLE
Joel Edgerton – THE GREAT GATSBY
Michael Fassbender – 12 YEARS A SLAVE
Jared Leto – DALLAS BUYERS CLUB
Geoffrey Rush – THE BOOK THIEF AACTA INTERNATIONAL AWARD FOR BEST SUPPORTING ACTRESS
Sally Hawkins – BLUE JASMINE
Jennifer Lawrence – AMERICAN HUSTLE
Lupita Nyong’o – 12 YEARS A SLAVE
Julia Roberts – AUGUST: OSAGE COUNTY
Octavia Spencer – FRUITVALE STATION

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31 Dec

Critics Choice Movie Awards Nominees

The Critics Choice Movie Awards hosted by Aisha Tyler will air live for the second year on the CW network January 16th.  Additionally the BFCA and L.A.’s House Of Blues are teaming up to present a “Celebration Of Black Cinema” on January 7th .

Here’s the complete list of today’s nominees:

BEST PICTURE
American Hustle
Captain Phillips
Dallas Buyers Club
Gravity
Her
Inside Llewyn Davis
Nebraska
Saving Mr. Banks
12 Years a Slave
The Wolf of Wall Street

BEST ACTOR
Christian Bale – American Hustle
Bruce Dern – Nebraska
Chiwetel Ejiofor – 12 Years a Slave
Tom Hanks – Captain Phillips
Matthew McConaughey – Dallas Buyers Club
Robert Redford – All Is Lost

BEST ACTRESS
Cate Blanchett – Blue Jasmine
Sandra Bullock – Gravity
Judi Dench – Philomena
Brie Larson – Short Term 12
Meryl Streep – August: Osage County
Emma Thompson – Saving Mr. Banks

BEST SUPPORTING ACTOR
Barkhad Abdi – Captain Phillips
Daniel Bruhl – Rush
Bradley Cooper – American Hustle
Michael Fassbender – 12 Years a Slave
James Gandolfini – Enough Said
Jared Leto – Dallas Buyers Club

BEST SUPPORTING ACTRESS
Scarlett Johansson – Her
Jennifer Lawrence – American Hustle
Lupita Nyong’o – 12 Years a Slave
Julia Roberts – August: Osage County
June Squibb – Nebraska
Oprah Winfrey – Lee Daniels’ The Butler

BEST YOUNG ACTOR/ACTRESS
Asa Butterfield – Ender’s Game
Adele Exarchopoulos – Blue Is the Warmest Color
Liam James – The Way Way Back
Sophie Nelisse – The Book Thief
Tye Sheridan – Mud

BEST ACTING ENSEMBLE
American Hustle
August: Osage County
Lee Daniels’ The Butler
Nebraska
12 Years a Slave
The Wolf of Wall Street

BEST DIRECTOR
Alfonso Cuaron – Gravity
Paul Greengrass – Captain Phillips
Spike Jonze – Her
Steve McQueen – 12 Years a Slave
David O. Russell – American Hustle
Martin Scorsese – The Wolf of Wall Street

BEST ORIGINAL SCREENPLAY
Eric Singer and David O. Russell – American Hustle
Woody Allen – Blue Jasmine
Spike Jonze – Her
Joel Coen & Ethan Coen – Inside Llewyn Davis
Bob Nelson – Nebraska

BEST ADAPTED SCREENPLAY
Tracy Letts – August: Osage County
Richard Linklater & Julie Delpy & Ethan Hawke – Before Midnight
Billy Ray – Captain Phillips
Steve Coogan and Jeff Pope – Philomena
John Ridley – 12 Years a Slave
Terence Winter – The Wolf of Wall Street

BEST CINEMATOGRAPHY
Emmanuel Lubezki – Gravity
Bruno Delbonnel – Inside Llewyn Davis
Phedon Papamichael – Nebraska
Roger Deakins – Prisoners
Sean Bobbitt – 12 Years a Slave

BEST ART DIRECTION
Andy Nicholson (Production Designer), Rosie Goodwin (Set Decorator) – Gravity
Catherine Martin (Production Designer), Beverley Dunn (Set Decorator) – The Great Gatsby
K.K. Barrett (Production Designer), Gene Serdena (Set Decorator) – Her
Dan Hennah (Production Designer), Ra Vincent (Set Decorator) – The Hobbit: The Desolation of Smaug
Adam Stockhausen (Production Designer), Alice Baker (Set Decorator) – 12 Years a Slave

BEST EDITING
Alan Baumgarten, Jay Cassidy, Crispin Struthers – American Hustle
Christopher Rouse – Captain Phillips
Alfonso Cuar�n, Mark Sanger – Gravity
Daniel P. Hanley, Mike Hill – Rush
Joe Walker – 12 Years a Slave
Thelma Schoonmaker – The Wolf of Wall Street

BEST COSTUME DESIGN
Michael Wilkinson – American Hustle
Catherine Martin – The Great Gatsby
Bob Buck, Lesley Burkes-Harding, Ann Maskrey, Richard Taylor – The Hobbit: The Desolation of Smaug
Daniel Orlandi – Saving Mr. Banks
Patricia Norris – 12 Years a Slave

BEST MAKEUP
American Hustle
The Hobbit: The Desolation of Smaug
Lee Daniels’ The Butler
Rush
12 Years a Slave

BEST VISUAL EFFECTS
Gravity
The Hobbit: The Desolation of Smaug
Iron Man 3
Pacific Rim
Star Trek into Darkness

BEST ANIMATED FEATURE
The Croods
Despicable Me 2
Frozen
Monsters University
The Wind Rises

BEST ACTION MOVIE
The Hunger Games: Catching Fire
Iron Man 3
Lone Survivor
Rush
Star Trek into Darkness

BEST ACTOR IN AN ACTION MOVIE
Henry Cavill – Man of Steel
Robert Downey Jr. – Iron Man 3
Brad Pitt – World War Z
Mark Wahlberg – Lone Survivor

BEST ACTRESS IN AN ACTION MOVIE
Sandra Bullock – Gravity
Jennifer Lawrence – The Hunger Games: Catching Fire
Evangeline Lilly – The Hobbit: The Desolation of Smaug
Gwyneth Paltrow – Iron Man 3

BEST COMEDY
American Hustle
Enough Said
The Heat
This Is the End
The Way Way Back
The World’s End

BEST ACTOR IN A COMEDY
Christian Bale – American Hustle
Leonardo DiCaprio – The Wolf of Wall Street
James Gandolfini – Enough Said
Simon Pegg – The World’s End
Sam Rockwell – The Way Way Back

BEST ACTRESS IN A COMEDY
Amy Adams – American Hustle
Sandra Bullock – The Heat
Greta Gerwig – Frances Ha
Julia Louis-Dreyfus – Enough Said
Melissa McCarthy – The Heat

BEST SCI-FI/HORROR MOVIE
The Conjuring
Gravity
Star Trek into Darkness
World War Z

BEST FOREIGN LANGUAGE FILM
Blue Is the Warmest Color
The Great Beauty
The Hunt
The Past
Wadjda

BEST DOCUMENTARY FEATURE
The Act of Killing
Blackfish
Stories We Tell
Tim’s Vermeer
20 Feet from Stardom

BEST SONG
Atlas – Coldplay – The Hunger Games: Catching Fire
Happy – Pharrell Williams – Despicable Me 2
Let It Go – Robert Lopez and Kristen Anderson-Lopez – Frozen
Ordinary Love – U2 – Mandela: Long Walk to Freedom
Please Mr. Kennedy – Justin Timberlake/Oscar Isaac/Adam Driver – Inside Llewyn Davis
Young and Beautiful – Lana Del Rey – The Great Gatsby

BEST SCORE
Steven Price – Gravity
Arcade Fire – Her
Thomas Newman – Saving Mr. Banks
Hans Zimmer – 12 Years a Slave

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31 Dec

WGA Nominations Announced

This just in from Deadline.com!

Los Angeles and New York – The Writers Guild of America, West (WGAW) and the Writers Guild of America, East (WGAE) have announced nominations for outstanding achievement in writing for the screen during 2013. Winners will be honored at the 2014 Writers Guild Awards on Saturday, February 1, 2014, at simultaneous ceremonies in Los Angeles and New York City.

ORIGINAL SCREENPLAY

American Hustle, Written by Eric Warren Singer and David O. Russell; Columbia Pictures

Blue Jasmine, Written by Woody Allen; Sony Pictures Classics

Dallas Buyers Club, Written by Craig Borten & Melisa Wallack; Focus Features

Her, Written by Spike Jonze; Warner Bros.

Nebraska, Written by Bob Nelson; Paramount Pictures

ADAPTED SCREENPLAY

August: Osage County, Screenplay by Tracy Letts; Based on his play; The Weinstein Company

Before Midnight, Written by Richard Linklater & Julie Delpy & Ethan Hawke; Based on characters created by Richard Linklater & Kim Krizan; Sony Classics

Captain Phillips, Screenplay by Billy Ray; Based on the book A Captain’s Duty: Somali Pirates, Navy SEALS, and Dangerous Days at Sea by Richard Phillips with Stephan Talty; Columbia Pictures

Lone Survivor, Written by Peter Berg; Based on the book by Marcus Lutrell with Patrick Robinson; Universal Pictures

The Wolf of Wall Street, Screenplay by Terence Winter; Based on the book by Jordan Belfort; Paramount Pictures

DOCUMENTARY SCREENPLAY

Dirty Wars, Written by Jeremy Scahill & David Riker; Sundance Selects

Herblock – The Black & The White, Written by Sara Lukinson & Michael Stevens; The Stevens Company

No Place on Earth, Written by Janet Tobias & Paul Laikin; Magnolia Pictures

Stories We Tell, Written by Sarah Polley; Roadside Attractions

We Steal Secrets: The Story of Wikileaks; Written by Alex Gibney; Focus Features

Feature films eligible for a Writers Guild Award were exhibited theatrically for at least one week in Los Angeles during 2013 and were written under the WGA’s Minimum Basic Agreement (MBA) or under a bona fide collective bargaining agreement of the Writers Guild of Canada, Writers Guild of Great Britain, Irish Playwrights & Screenwriters Guild, or the New Zealand Writers Guild. Theatrical screenplays produced under the jurisdiction of the WGA or an affiliate Guild must have been submitted for WGA awards consideration.

Documentaries eligible for a Writers Guild Award featured an onscreen writing credit and were exhibited theatrically in Los Angeles or New York for one week during 2013. Theatrical documentaries must have been produced under the jurisdiction of the WGA or an affiliate Guild to be eligible for awards consideration.

The Writers Guild Awards honor outstanding writing in film, television, new media, videogames, news, radio, promotional, and graphic animation categories. The awards will be presented jointly at simultaneous ceremonies on Saturday, February 1, 2014, in Los Angeles at the JW Marriott L.A. LIVE and in New York City at the Edison Ballroom. For more information about the 2014 Writers Guild Awards, please visit www.wga.org or www.wgaeast.org.

 

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31 Dec

DGA Film Award Nominees

Official Press Release from the Director’s Guild of America:

Los Angeles – Directors Guild of America President Paris Barclay today announced the dga__121218230019-200x190five nominees for the DGA Award for Outstanding Directorial Achievement in Feature Film for 2013.

“To be chosen by your peers in a year full of incredibly well-crafted films is the true marker of outstanding directorial achievement,” said Barclay. “The passion and vision of each of the nominees resulted in tremendously diverse films that kept audiences mesmerized. Congratulations to each of the nominees on a job very well done.”

The winner will be named at the 66th Annual DGA Awards Dinner on Saturday, January 25, 2014 at the Hyatt Regency Century Plaza in Los Angeles. The nominees are (in alphabetical order):

ALFONSO CUAR�N
Gravity
(Warner Bros. Pictures)

Mr. Cuar�n’s Directorial Team:
� Unit Production Manager: David Siegel (Arizona Unit)
� First Assistant Directors: Josh Robertson, Stephen Hagen (Arizona Unit)
� Second Assistant Director: Ben Howard

This is Mr. Cuar�n’s first DGA Award nomination.

PAUL GREENGRASS
Captain Phillips
(Columbia Pictures)

Mr. Greengrass’s Directorial Team:
� Unit Production Managers: Todd Lewis, Gregory Goodman
� First Assistant Director: Chris Carreras
� Second Assistant Directors: Nick Shuttleworth, Mark S. Constance

This is Mr. Greengrass’s first DGA Award nomination.

STEVE McQUEEN
12 Years A Slave
(Fox Searchlight Pictures)

Mr. McQueen’s Directorial Team:
� Unit Production Manager: Anthony Katagas
� First Assistant Director: Doug Torres
� Second Assistant Director: James Roque Jr.
� Second Second Assistant Director: Sherman Shelton Jr.
� Additional Second Assistant Director: Nathan Parker

This is Mr. McQueen’s first DGA Award nomination.

DAVID O. RUSSELL
American Hustle
(Columbia Pictures)

Mr. Russell’s Directorial Team:
� Unit Production Managers: Shea Kammer, Mark Kamine
� First Assistant Director: Michele ‘Shelley’ Ziegler
� Second Assistant Director: Xanthus Valan
� Second Second Assistant Director: Jason Fesel
� Location Managers: David Velasco, Guy Efrat (New York Unit)

This is Mr. Russell’s second DGA Award nomination. He was previously nominated in this category for The Fighter in 2010.

MARTIN SCORSESE
The Wolf of Wall Street
(Paramount Pictures)

Mr. Scorsese’s Directorial Team:
� Unit Production Manager: Richard Baratta
� First Assistant Director: Adam Somner
� Second Assistant Director: Francisco Oritz
� Second Second Assistant Director: Jeremy Marks
� Additional Second Assistant Director: Scott Koche
� Location Manager: Nils Widboom

This is Mr. Scorsese’s eleventh DGA Award nomination. He won the DGA Award for Outstanding Directorial Achievement in Feature Film in 2006 for The Departed, and has also been nominated in that category for Taxi Driver (1976), Raging Bull (1980), Goodfellas (1990), The Age of Innocence (1993), Gangs of New York (2002), The Aviator (2004) and Hugo (2011). Mr. Scorsese also won the DGA Award in 2010 for Outstanding Directorial Achievement in Dramatic Television for Boardwalk Empire and he was nominated for Outstanding Directorial Achievement in Documentary for George Harrison: Living in the Material World in 2011. In 1999, Mr. Scorsese was presented with the Filmmaker Award at the inaugural DGA Honors Gala, and he was honored with the DGA Lifetime Achievement Award in 2003.

***

The winner in the Feature Film category will be announced at the 66th Annual DGA Awards dinner and ceremony on Saturday evening, January 25, 2014 at the Hyatt Regency Century Plaza. The DGA Awards will be hosted by actor Jane Lynch.

DGA nominations for Outstanding Directorial Achievement in Television and Commercials will be announced on January 9, 2014. DGA nominations for Outstanding Directorial Achievement in Documentaries will be announced on January 13, 2014. BMW is the Exclusive Automotive Sponsor of the 66th Annual DGA Awards.


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31 Dec

BAFTA nominees

BEST FILM
12 YEARS A SLAVE Anthony Katagas, Brad Pitt, Dede Gardner, Jeremy Kleiner, Steve McQueen
AMERICAN HUSTLE Charles Roven, Richard Suckle, Megan Ellison, Jonathan Gordon
CAPTAIN PHILLIPS Scott Rudin, Dana Brunetti, Michael De Luca
GRAVITY Alfonso Cuar�n, David Heyman
PHILOMENA Gabrielle Tana, Steve Coogan, Tracey Seaward

OUTSTANDING BRITISH FILM
GRAVITY Alfonso Cuar�n, David Heyman, Jon�s Cuar�n
MANDELA: LONG WALK TO FREEDOM Justin Chadwick, Anant Singh, David M. Thompson, William Nicholson
PHILOMENA Stephen Frears, Gabrielle Tana, Steve Coogan, Tracey Seaward, Jeff Pope
RUSH Ron Howard, Andrew Eaton, Peter Morgan
SAVING MR. BANKS John Lee Hancock, Alison Owen, Ian Collie, Philip Steuer, Kelly Marcel, Sue Smith
THE SELFISH GIANT: Clio Barnard, Tracy O’Riordan

OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER
COLIN CARBERRY (Writer), GLENN PATTERSON (Writer) Good Vibrations
KELLY MARCEL (Writer) Saving Mr. Banks
KIERAN EVANS (Director/Writer) Kelly + Victor
PAUL WRIGHT (Director/Writer), POLLY STOKES (Producer) For Those in Peril
SCOTT GRAHAM (Director/Writer) Shell

FILM NOT IN THE ENGLISH LANGUAGE
THE ACT OF KILLING Joshua Oppenheimer, Signe Byrge S�rensen
BLUE IS THE WARMEST COLOUR Abdellatif Kechiche, Brahim Chioua, Vincent Maraval
THE GREAT BEAUTY Paolo Sorrentino, Nicola Giuliano, Francesca Cima
METRO MANILA Sean Ellis, Mathilde Charpentier
WADJDA Haifaa Al-Mansour, Gerhard Meixner, Roman Paul

DOCUMENTARY
THE ACT OF KILLING Joshua Oppenheimer
THE ARMSTRONG LIE Alex Gibney
BLACKFISH Gabriela Cowperthwaite
TIM’S VERMEER Teller, Penn Jillette, Farley Ziegler
WE STEAL SECRETS: THE STORY OF WIKILEAKS Alex Gibney
ANIMATED FILM
DESPICABLE ME 2 Chris Renaud, Pierre Coffin
FROZEN Chris Buck, Jennifer Lee
MONSTERS UNIVERSITY Dan Scanlon

DIRECTOR
12 YEARS A SLAVE Steve McQueen
AMERICAN HUSTLE David O. Russell
CAPTAIN PHILLIPS Paul Greengrass
GRAVITY Alfonso Cuar�n
THE WOLF OF WALL STREET Martin Scorsese

ORIGINAL SCREENPLAY
AMERICAN HUSTLE Eric Warren Singer, David O. Russell
BLUE JASMINE Woody Allen
GRAVITY Alfonso Cuar�n, Jon�s Cuar�n
INSIDE LLEWYN DAVIS Joel Coen, Ethan Coen
NEBRASKA Bob Nelson

ADAPTED SCREENPLAY
12 YEARS A SLAVE John Ridley
BEHIND THE CANDELABRA Richard LaGravenese
CAPTAIN PHILLIPS Billy Ray
PHILOMENA Steve Coogan, Jeff Pope
THE WOLF OF WALL STREET Terence Winter

LEADING ACTOR
BRUCE DERN Nebraska
CHIWETEL EJIOFOR 12 Years a Slave
CHRISTIAN BALE American Hustle
LEONARDO DICAPRIO The Wolf of Wall Street
TOM HANKS Captain Phillips

LEADING ACTRESS
AMY ADAMS American Hustle
CATE BLANCHETT Blue Jasmine
EMMA THOMPSON Saving Mr. Banks
JUDI DENCH Philomena
SANDRA BULLOCK Gravity

SUPPORTING ACTOR
BARKHAD ABDI Captain Phillips
BRADLEY COOPER American Hustle
DANIEL BR�HL Rush
MATT DAMON Behind the Candelabra
MICHAEL FASSBENDER 12 Years a Slave

SUPPORTING ACTRESS
JENNIFER LAWRENCE American Hustle
JULIA ROBERTS August: Osage County
LUPITA NYONG’O 12 Years a Slave
OPRAH WINFREY The Butler
SALLY HAWKINS Blue Jasmine

ORIGINAL MUSIC
12 YEARS A SLAVE Hans Zimmer
THE BOOK THIEF John Williams
CAPTAIN PHILLIPS Henry Jackman
GRAVITY Steven Price
SAVING MR. BANKS Thomas Newman

CINEMATOGRAPHY
12 YEARS A SLAVE Sean Bobbitt
CAPTAIN PHILLIPS Barry Ackroyd
GRAVITY Emmanuel Lubezki
INSIDE LLEWYN DAVIS Bruno Delbonnel
NEBRASKA Phedon Papamichael

EDITING
12 YEARS A SLAVE Joe Walker
CAPTAIN PHILLIPS Christopher Rouse
GRAVITY Alfonso Cuar�n, Mark Sanger
RUSH Dan Hanley, Mike Hill
THE WOLF OF WALL STREET Thelma Schoonmaker

PRODUCTION DESIGN
12 YEARS A SLAVE Adam Stockhausen, Alice Baker
AMERICAN HUSTLE Judy Becker, Heather Loeffler
BEHIND THE CANDELABRA Howard Cummings
GRAVITY Andy Nicholson, Rosie Goodwin, Joanne Woodlard
THE GREAT GATSBY Catherine Martin, Beverley Dunn

COSTUME DESIGN
AMERICAN HUSTLE Michael Wilkinson
BEHIND THE CANDELABRA Ellen Mirojnick
THE GREAT GATSBY Catherine Martin
THE INVISIBLE WOMAN Michael O’Connor
SAVING MR. BANKS Daniel Orlandi

MAKE UP & HAIR
AMERICAN HUSTLE Evelyne Noraz, Lori McCoy-Bell
BEHIND THE CANDELABRA Kate Biscoe, Marie Larkin
THE BUTLER Debra Denson, Beverly Jo Pryor, Candace Neal
THE GREAT GATSBY Maurizio Silvi, Kerry Warn
THE HOBBIT: THE DESOLATION OF SMAUG Peter Swords King, Richard Taylor, Rick Findlater

SOUND
ALL IS LOST Richard Hymns, Steve Boeddeker, Brandon Proctor, Micah Bloomberg, Gillian Arthur
CAPTAIN PHILLIPS Chris Burdon, Mark Taylor, Mike Prestwood Smith, Chris Munro, Oliver Tarney
GRAVITY Glenn Freemantle, Skip Lievsay, Christopher Benstead, Niv Adiri, Chris Munro
INSIDE LLEWYN DAVIS Peter F. Kurland, Skip Lievsay, Greg Orloff
RUSH Danny Hambrook, Martin Steyer, Stefan Korte, Markus Stemler, Frank Kruse

SPECIAL VISUAL EFFECTS
GRAVITY Tim Webber, Chris Lawrence, David Shirk, Neil Corbould, Nikki Penny
THE HOBBIT: THE DESOLATION OF SMAUG Joe Letteri, Eric Saindon, David Clayton, Eric Reynolds
IRON MAN 3 Bryan Grill, Christopher Townsend, Guy Williams, Dan Sudick
PACIFIC RIM Hal Hickel, John Knoll, Lindy De Quattro, Nigel Sumner
STAR TREK INTO DARKNESS Ben Grossmann, Burt Dalton, Patrick Tubach, Roger Guyett

BRITISH SHORT ANIMATION
EVERYTHING I CAN SEE FROM HERE Bjorn-Erik Aschim, Friederike Nicolaus, Sam Taylor
I AM TOM MOODY Ainslie Henderson
SLEEPING WITH THE FISHES James Walker, Sarah Woolner, Yousif Al-Khalifa

BRITISH SHORT FILM
ISLAND QUEEN Ben Mallaby, Nat Luurtsema
KEEPING UP WITH THE JONESES Megan Rubens, Michael Pearce, Selina Lim
ORBIT EVER AFTER Chee-Lan Chan, Jamie Stone, Len Rowles
ROOM 8 James W. Griffiths, Sophie Venner
SEA VIEW Anna Duffield, Jane Linfoot

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31 Dec

Academy Award Nominees!

PERFORMANCE BY AN ACTOR IN A LEADING ROLE
Christian Bale in “American Hustle” (Sony Pictures Releasing)
Bruce Dern in “Nebraska” (Paramount)
Leonardo DiCaprio in “The Wolf of Wall Street” (Paramount)
Chiwetel Ejiofor in “12 Years a Slave” (Fox Searchlight)
Matthew McConaughey in “Dallas Buyers Club” (Focus Features)

PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE
Barkhad Abdi in “Captain Phillips” (Sony Pictures Releasing)
Bradley Cooper in “American Hustle” (Sony Pictures Releasing)
Michael Fassbender in “12 Years a Slave” (Fox Searchlight)
Jonah Hill in “The Wolf of Wall Street” (Paramount)
Jared Leto in “Dallas Buyers Club” (Focus Features)

PERFORMANCE BY AN ACTRESS IN A LEADING ROLE
Amy Adams in “American Hustle” (Sony Pictures Releasing)
Cate Blanchett in “Blue Jasmine” (Sony Pictures Classics)
Sandra Bullock in “Gravity” (Warner Bros.)
Judi Dench in “Philomena” (The Weinstein Company)
Meryl Streep in “August: Osage County” (The Weinstein Company)

PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE
Sally Hawkins in “Blue Jasmine” (Sony Pictures Classics)
Jennifer Lawrence in “American Hustle” (Sony Pictures Releasing)
Lupita Nyong’o in “12 Years a Slave” (Fox Searchlight)
Julia Roberts in “August: Osage County” (The Weinstein Company)
June Squibb in “Nebraska” (Paramount)

BEST ANIMATED FEATURE FILM OF THE YEAR
“The Croods” (20th Century Fox)
Chris Sanders, Kirk DeMicco and Kristine Belson
“Despicable Me 2” (Universal)
Chris Renaud, Pierre Coffin and Chris Meledandri
“Ernest & Celestine” (GKIDS)
Benjamin Renner and Didier Brunner
“Frozen” (Walt Disney)
Chris Buck, Jennifer Lee and Peter Del Vecho
“The Wind Rises” (Walt Disney)
Hayao Miyazaki and Toshio Suzuki

ACHIEVEMENT IN CINEMATOGRAPHY
“The Grandmaster” (The Weinstein Company) Philippe Le Sourd
“Gravity” (Warner Bros.) Emmanuel Lubezki
“Inside Llewyn Davis” (CBS Films) Bruno Delbonnel
“Nebraska” (Paramount) Phedon Papamichael
“Prisoners” (Warner Bros.) Roger A. Deakins

ACHIEVEMENT IN COSTUME DESIGN
“American Hustle” (Sony Pictures Releasing) Michael Wilkinson
“The Grandmaster” (The Weinstein Company) William Chang Suk Ping
“The Great Gatsby” (Warner Bros.) Catherine Martin
“The Invisible Woman” (Sony Pictures Classics) Michael O’Connor
“12 Years a Slave” (Fox Searchlight) Patricia Norris

ACHIEVEMENT IN DIRECTING
“American Hustle” (Sony Pictures Releasing) David O. Russell
“Gravity” (Warner Bros.) Alfonso Cuar�n
“Nebraska” (Paramount) Alexander Payne
“12 Years a Slave” (Fox Searchlight) Steve McQueen
“The Wolf of Wall Street” (Paramount) Martin Scorsese

BEST DOCUMENTARY FEATURE
“The Act of Killing” (Drafthouse Films)
A Final Cut for Real Production
Joshua Oppenheimer and Signe Byrge S�rensen
“Cutie and the Boxer” (RADiUS-TWC)
An Ex Lion Tamer and Cine Mosaic Production
Zachary Heinzerling and Lydia Dean Pilcher
“Dirty Wars” (IFC Films)
A Civic Bakery Production
Richard Rowley and Jeremy Scahill
“The Square” (Netflix in association with Worldview
Entertainment and Participant Media)
A Noujaim Films and Maktube Production
Jehane Noujaim and Karim Amer
“20 Feet from Stardom” (RADiUS-TWC)
A Gil Friesen Productions and Tremolo Production
Nominees to be determined

BEST DOCUMENTARY SHORT SUBJECT
“CaveDigger”
A Karoffilms Production
Jeffrey Karoff
“Facing Fear”
A Jason Cohen Production
Jason Cohen
“Karama Has No Walls” (Mudhouse Films)
A Hot Spot Films Production
Sara Ishaq
“The Lady in Number 6: Music Saved My Life”
A Reed Entertainment Production
Malcolm Clarke and Nicholas Reed
“Prison Terminal: The Last Days of Private Jack Hall”
A Prison Terminal LLC Production
Edgar Barens

ACHIEVEMENT IN FILM EDITING
“American Hustle” (Sony Pictures Releasing) Jay Cassidy, Crispin Struthers and Alan Baumgarten
“Captain Phillips” (Sony Pictures Releasing) Christopher Rouse
“Dallas Buyers Club” (Focus Features) John Mac McMurphy and Martin Pensa
“Gravity” (Warner Bros.) Alfonso Cuar�n and Mark Sanger
“12 Years a Slave” (Fox Searchlight) Joe Walker

BEST FOREIGN LANGUAGE FILM OF THE YEAR
“The Broken Circle Breakdown” (Tribeca Film) – Belgium
A Menuet Production
“The Great Beauty” (Janus Films) – Italy
An Indigo Film Production
“The Hunt” (Magnolia Pictures) – Denmark
A Zentropa Entertainments 19 Production
“The Missing Picture” (Strand Releasing) – Cambodia
A Bophana Production
“Omar” (Adopt Films) – Palestine
An Omar Production Company Production

ACHIEVEMENT IN MAKEUP AND HAIRSTYLING
“Dallas Buyers Club” (Focus Features) Adruitha Lee and Robin Mathews
“Jackass Presents: Bad Grandpa” (Paramount) Stephen Prouty
“The Lone Ranger” (Walt Disney) Joel Harlow and Gloria Pasqua-Casny

ACHIEVEMENT IN MUSIC WRITTEN FOR MOTION PICTURES (ORIGINAL SCORE)
“The Book Thief” (20th Century Fox) John Williams
“Gravity” (Warner Bros.) Steven Price
“Her” (Warner Bros.) William Butler and Owen Pallett
“Philomena” (The Weinstein Company) Alexandre Desplat
“Saving Mr. Banks” (Walt Disney) Thomas Newman

ACHIEVEMENT IN MUSIC WRITTEN FOR MOTION PICTURES (ORIGINAL SONG)
“Alone Yet Not Alone” from “Alone Yet Not Alone” (Enthuse Entertainment)
Music by Bruce Broughton
Lyric by Dennis Spiegel
“Happy” from “Despicable Me 2” (Universal)
Music and Lyric by Pharrell Williams
“Let It Go” from “Frozen” (Walt Disney)
Music and Lyric by Kristen Anderson-Lopez and Robert Lopez
“The Moon Song” from “Her” (Warner Bros.)
Music by Karen O
Lyric by Karen O and Spike Jonze
“Ordinary Love” from “Mandela: Long Walk to Freedom” (The Weinstein Company)
Music by Paul Hewson, Dave Evans, Adam Clayton and Larry Mullen
Lyric by Paul Hewson

BEST MOTION PICTURE OF THE YEAR
“American Hustle” (Sony Pictures Releasing)
A Columbia Pictures and Annapurna Pictures Production
Charles Roven, Richard Suckle, Megan Ellison and Jonathan Gordon, Producers
“Captain Phillips” (Sony Pictures Releasing)
A Columbia Pictures Production
Scott Rudin, Dana Brunetti and Michael De Luca, Producers
“Dallas Buyers Club” (Focus Features)
A Voltage Pictures, R2 Films, Evolution Independent Production
Robbie Brenner and Rachel Winter, Producers
“Gravity” (Warner Bros.)
A Warner Bros. UK Services Limited Production
Alfonso Cuar�n and David Heyman, Producers
“Her” (Warner Bros.)
An Annapurna Production
Megan Ellison, Spike Jonze and Vincent Landay, Producers
“Nebraska” (Paramount)
A Paramount Vantage Production
Albert Berger and Ron Yerxa, Producers
“Philomena” (The Weinstein Company)
A Path�, BBC Films, BFI, Canal+, Cine+ and Baby Cow/Magnolia Mae Production
Gabrielle Tana, Steve Coogan and Tracey Seaward, Producers
“12 Years a Slave” (Fox Searchlight)
A River Road, Plan B, New Regency Production
Brad Pitt, Dede Gardner, Jeremy Kleiner, Steve McQueen and Anthony Katagas, Producers
“The Wolf of Wall Street” (Paramount)
A Red Granite Production
Nominees to be determined

ACHIEVEMENT IN PRODUCTION DESIGN
“American Hustle” (Sony Pictures Releasing) Production Design: Judy Becker; Set Decoration: Heather Loeffler
“Gravity” (Warner Bros.) Production Design: Andy Nicholson; Set Decoration: Rosie Goodwin and Joanne Woollard
“The Great Gatsby” (Warner Bros.) Production Design: Catherine Martin; Costume Design: Beverley Dunn
“Her” (Warner Bros.) Production Design: K.K. Barrett; Set Decoration: Gene Serdena
“12 Years a Slave” (Fox Searchlight) Production Design: Adam Stockhausen; Set Decoration: Alice Baker

BEST ANIMATED SHORT FILM
“Feral”
A Daniel Sousa Production
Daniel Sousa and Dan Golden
“Get a Horse!” (Walt Disney)
A Walt Disney Animation Production
Lauren MacMullan and Dorothy McKim
“Mr. Hublot”
A Zeilt Production
Laurent Witz and Alexandre Espigares
“Possessions”
A Sunrise Production
Shuhei Morita
“Room on the Broom”
A Magic Light Pictures Production
Max Lang and Jan Lachauer

BEST LIVE ACTION SHORT FILM
“Aquel No Era Yo (That Wasn’t Me)” (FREAK Independent Film Agency)
A Producciones Africanauan Production
Esteban Crespo
“Avant Que De Tout Perdre (Just before Losing Everything)”
A KG Production
Xavier Legrand and Alexandre Gavras
“Helium”
An M & M Production
Anders Walter and Kim Magnusson
“Pit��k� Mun Kaikki Hoitaa? (Do I Have to Take Care of Everything?)”
A Tuffi Films Production
Selma Vilhunen and Kirsikka Saari
“The Voorman Problem”
A Honlodge Production
Mark Gill and Baldwin Li

ACHIEVEMENT IN SOUND EDITING
“All Is Lost” (Lionsgate & Roadside Attractions) Steve Boeddeker and Richard Hymns
“Captain Phillips” (Sony Pictures Releasing) Oliver Tarney
“Gravity” (Warner Bros.) Glenn Freemantle
“The Hobbit: The Desolation of Smaug” (Warner Bros.) Brent Burge
“Lone Survivor” (Universal) Wylie Stateman

ACHIEVEMENT IN SOUND MIXING
“Captain Phillips” (Sony Pictures Releasing) Chris Burdon, Mark Taylor, Mike Prestwood Smith
“Gravity” (Warner Bros.) Skip Lievsay, Niv Adiri, Christopher Benstead and
“The Hobbit: The Desolation of Smaug” (Warner Bros.) Christopher Boyes, Michael Hedges,
“Inside Llewyn Davis” (CBS Films) Skip Lievsay, Greg Orloff and Peter F. Kurland
“Lone Survivor” (Universal) Andy Koyama, Beau Borders and David Brownlow

ACHIEVEMENT IN VISUAL EFFECTS
“Gravity” (Warner Bros.) Tim Webber, Chris Lawrence, Dave Shirk and Neil Corbould
“The Hobbit: The Desolation of Smaug” (Warner Bros.) Joe Letteri, Eric Saindon, David Clayton and Eric Reynolds
“Iron Man 3” (Walt Disney) Christopher Townsend, Guy Williams, Erik Nash and Dan Sudick
“The Lone Ranger” (Walt Disney) Tim Alexander, Gary Brozenich, Edson Williams and John Frazier
“Star Trek Into Darkness” (Paramount) Roger Guyett, Patrick Tubach, Ben Grossmann and Burt Dalton

ADAPTED SCREENPLAY
“Before Midnight” (Sony Pictures Classics) Written by Richard Linklater, Julie Delpy, Ethan Hawke
“Captain Phillips” (Sony Pictures Releasing) Screenplay by Billy Ray
“Philomena” (The Weinstein Company) Screenplay by Steve Coogan and Jeff Pope
“12 Years a Slave” (Fox Searchlight) Screenplay by John Ridley
“The Wolf of Wall Street” (Paramount) Screenplay by Terence Winter

ORIGINAL SCREENPLAY
“American Hustle” (Sony Pictures Releasing) Written by Eric Warren Singer and David O. Russell
“Blue Jasmine” (Sony Pictures Classics) Written by Woody Allen
“Dallas Buyers Club” (Focus Features) Written by Craig Borten & Melisa Wallack
“Her” (Warner Bros.) Written by Spike Jonze
“Nebraska” (Paramount) Written by Bob Nelson

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31 Dec

SAG AWARD Winners

Outstanding Performance by a Female Actor in a Supporting Role
LUPITA NYONG’O / Patsey – “12 YEARS A SLAVE” (Fox Searchlight Pictures)

Outstanding Performance by a Male Actor in a Supporting Role
JARED LETO / Rayon – “DALLAS BUYERS CLUB” (Focus Features)

Outstanding Performance by a Female Actor in a Comedy Series
JULIA LOUIS-DREYFUS / Vice President Selina Meyer – “VEEP” (HBO)

Outstanding Performance by a Male Actor in a Comedy Series
TY BURRELL / Phil Dunphy – “MODERN FAMILY” (ABC)

Outstanding Performance by an Ensemble in a Comedy Series
MODERN FAMILY (ABC)
JULIE BOWEN / Claire Dunphy
TY BURRELL / Phil Dunphy
AUBREY ANDERSON EMMONS / Lily Tucker-Pritchett
JESSE TYLER FERGUSON / Mitchell Pritchett
NOLAN GOULD / Luke Dunphy
SARAH HYLAND / Haley Dunphy
ED O’NEILL / Jay Pritchett
RICO RODRIGUEZ / Manny Delgado
ERIC STONESTREET / Cameron Tucker
SOFIA VERGARA / Gloria Delgado-Pritchett
ARIEL WINTER / Alex Dunphy

Outstanding Performance by a Female Actor in a Television Movie or Miniseries
HELEN MIRREN / Linda Kenney Baden – “PHIL SPECTOR” (HBO)

Outstanding Performance by a Male Actor in a Television Movie or Miniseries
MICHAEL DOUGLAS / Liberace – “BEHIND THE CANDELABRA” (HBO)

Outstanding Performance by a Female Actor in a Drama Series
MAGGIE SMITH / Violet, Dowager Countess of Grantham – “DOWNTON ABBEY” (PBS)

Outstanding Performance by a Male Actor in a Drama Series
BRYAN CRANSTON / Walter White – “BREAKING BAD” (AMC)

Outstanding Performance by an Ensemble in a Drama Series
BREAKING BAD (AMC)
MICHAEL BOWEN / Uncle Jack
BETSY BRANDT / Marie Schrader
BRYAN CRANSTON / Walter White
LAVELL CRAWFORD / Huell
TAIT FLETCHER / Lester
LAURA FRASER / Lydia Rodarte-Quale
ANNA GUNN / Skyler White
MATTHEW T. METZLER / Matt
RJ MITTE / Walter White Jr.
DEAN NORRIS / Hank Schrader
BOB ODENKIRK / Saul Goodman
AARON PAUL / Jesse Pinkman
JESSE PLEMONS / Todd
STEVEN MICHAEL QUEZADA / Gomez
KEVIN RANKIN / Kenny
PATRICK SANE / Frankie

Outstanding Performance by a Male Actor in a Leading Role
MATTHEW McCONAUGHEY / Ron Woodroof – “DALLAS BUYERS CLUB” (Focus Features)


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